As YouTube’s partner product manager Varun Talwar notes, the team “developed these features with the expectation many more of you will eventually use YouTube Live, and like we said last year, this process takes time to roll out broadly. Sadly, though, this first anniversary doesn’t mark the full rollout of YouTube Live to all publishers. Wirecast for YouTube Live will enable producers to easily capture and switch between different sources and add live effects and overlays to their videos. With this, YouTube’s partners should be able to produce more live events and make them look more professional. Google today also announced that it will make a special YouTube Live version of Wirecast, a professional webcasting solution that generally retails for around $449, available to all of its partners. It’s worth noting that Ustream and a number of other live streaming services have offered pay-per-view as an option for a while now. Publishers will now also be able to see how many users are watching a live stream in real time. Publishers, of course, can also chooseto display Google ads as well. Now, YouTube publishers in the U.S., Canada, France, Japan and Great Britain who have access to YouTube Live can set up this service in a few minutes and start monetizing their events this way. Until now, pay-per-view was only an option for select publishers who worked directly with Google. The most important new feature, though, is the addition of pay-per-view as a monetization option for all publishers. Most of these (new production software, improved publishing flows and real-time analytics) are mostly of interest to video producers. To mark this event, YouTube is adding a number of new features to Live today. It’s a tool I use all the time to make tutorials and edit together videos.YouTube Live, Google’s live streaming platform, celebrated its first birthday over the weekend. Pop over and get Wirecast now and have a ball! Want to record your screen or edit video? Just because you can do such a myriad of things with Wirecast doesn’t mean you have to! Grab it now And I recommend getting that “Titler” plugin working so that you can display live Facebook comments. It’s nice to make sure the broadcast is actually going and the audio is working. It’s also nice to have a second laptop or tablet to watch the live show as the audience sees it. For example, I often forget to un-mute the audio output, so I’m 5 minutes into the broadcast and I go check the comments that no one can hear me! When you go live, you can just tell your audience, “Hey I’m trying to figure out this live broadcast thing!” And have fun with it! I still mess up from time to time. Don’t be too serious about your test run, because you’ll learn a lot. I suggest you carve out 2 or 3 hours to go through the tutorial and then set up your own scene for a test run. We talked a lot about quadcopters and streaming, but really about many other subjects too. I did an interview with the great team over there at Wirecast. If you had a person in a “producer” role they could do all the scene swapping, then even more is possible. Usually I just do the broadcast myself, so I can’t be switching around to a bunch of different scenes. You can have multiple talking heads, people connecting via Skype, mix together live feeds and canned video, special titling, multiple scenes. You can basically do everything a news network can. Wow you can do a thousand things with this software. Wirecast Play (Free), Wirecast Pro and Flash Media Encoder.
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